The Gothic Elements In Tim Burtons Movies Film Studies Essay

The gothic Elements In Tim Burtons Movies study Studies examineNowadays, carry has been popular among people through the ages. There atomic number 18 pleasant of photographic flicks that have been created up until now. For instance, rents ab come to the fore criminal, romance, Sci-Fi, and so on Many lead directors struggle to make a good film. A film director is in any case called as an auteur if he or she is a complete film maker. He or she conceives the idea for the story, writes the script or the screenplay, and then cargonfully supervises e really(prenominal) step in the film making mold, from selecting the cast and finding a suit competent cross outting down to editing the final cut. (Boggs and Petrie 308).The style or book of factsistic in a film be usually describing the directors temper itself. In this paper, the writer allow tumble approximately Tim Burtons paintings beca expenditure she is interested with this directors give out in movie making. Almo st all of his movies ar containing with dark and repulsion or it squirt be called as mediaeval. He is in addition called an auteur because in some of his films, he does everything all by himself. The background of Tim Burton makes him into a yeasty director and creates some fascinating film with the darkness but samewise putting some dark comedy in his films.Burton was born on August 25, 1958 in Burbank suburban. Tim Burton, as a child, enjoyed to watch abhorrence and freak movies. His favourite actor was Vincent Price. He was the protagonist in many mutual exclusiveness movies such as The House of Wax (1975). Further more than, Tim loved horror movies appoint on Edgar Alan Poes poems the likes of the film Raven. He was seeing his self in those films and on the face of the actor Vincent Price, because of his isolation as a child. Tim Burton himself, states that horror movies especially the ones starring Vincent Price, spoke to him. (WordPress, 2012)He was worked in Dis ney as an animator. Then, he was recruited by Paul Reubens and made a hit movie Pee-wees astronomical Adventure (1985). After that, he made an otherwise movie Beetlejuice which likewise became hit at that time.There are many more film that have been directed by Burton such as Batman (1989), Edward Scissorhands (1990), The Nightmare in front Christmas (1993), sleepy-eyed dig up (1999), The daemon Barber of Fleet Street Sweeney Todd (2007), and such as Dark Shadows (2012). (Andec)As a director who is identical with gothic, Tim Burton is very professional. He is very serious in directing the process of the film making, and also he is very originative because in most of his films, he likes to make the properties of the film handmade by himself. Even though on that point is another professional person who can make it, but Burton wants to do it by himself. He always makes everything with his own imagination and it is like he creates himself. Its noticeable in almost all his movie s that the characters have dark and deep-set eyes like Edward in Edward Scissorhands, said his wife Helena Bonham Carter who was also an actress in most of Tims movies.Tim always wanted a sort of, like, silent-movie-star for both of us (she and actor Johnny Depp, they both starred in The Demon Barber of Fleet Street, Sweeney Todd). So we have both got very, very picket skin and then rather dark, sunken eyes. A bit like how Tim looks. You know, his usual sort of aesthetic. He loves pale, dark, sunken eyes and because hes an insomniac. I see thats where it comes from. Theres a lot of autobiography in there. But even. Its completely unconscious. He is so not a narcissist. But it always ends up, being, somehow, a adjustment of himself. (WordPress, 2012)From all of Burtons movies, the writer chooses deuce films amid them, Edward Scissorhands (1990) and Sleepy Hollow (1999). These two movies are contained of many gothic elements. The story of Edward Scissorhands was made by Burton hi mself which reflected his characters which much outsiders, misunderstood, and misperceived, and in many ways he embodies his characters into his film. (Mark Salisbury 18) Besides, the movie of Sleepy Hollow directed by Tim Burton is an setation from the short story of The apologue of Sleepy Hollow by Washington Irving (1817) written while he was living in Birmingham, England, and first published in 1820. It was based on the German folktale, the story is set in the Dutch culture of Post-Revolutionary fight in New York State. The lines of The novel of Sleepy Hollow are influences of late-eighteenth and early-nineteenth-century European cultural movements. (Gale, 2006). This short story has been made into film for several times, such as The Adventures of Ichabod and Mr. Toad (1949), and the following The Hollow (2004) and Headless Horseman (2007). The Legend of Sleepy Hollow is the closest American literary works that has come to affirm a classic ghost story.Therefore, based on the explanations above, the writer would like to analyze the gothic elements throughout the movietic sight of Tim Burtons films Edward Scissorhands and Sleepy Hollow. topic OF THE STUDYThe field of this study go away be focused on literary productions, especially film.SCOPE OF THE STUDYThis question is based on publications especially Film Studies. The writer chooses movie theatretic aspect to find out the gothic elements which occur in Tim Burtons movies Edward Scissorhands and Sleepy Hollow.PROBLEM FORMULATIONThis explore questions can be formulated as followsWhat are the cinematic aspects found in the Edward Scissorhands and Sleepy Hollow movie?How do the gothic elements get to the success of the cinematic aspect?OBJECTIVES OF THE STUDYThe objectives of this study can be stated as followsExplaining the cinematic aspects in the movies of Edward Scissorhands and Sleepy Hollow.Finding the gothic elements that contribute the success of the cinematic aspect.SIGNIFICANCE OF TH E STUDYThis study will help the students, especially in the literature aspect, to understand more nigh cinematic aspect and gothic literature.DEFINITION OF TERMSBelow are the terms that will be used by the writer to analyze about the cinematic aspect and the gothic elements in Tim Burtons movies Edward Scissorhands and Sleepy HollowCinematography Art and technology of motion-picture picture taking. It involves the authorship of a scene, fervor of the set and actors, choice of cameras, camera angle, and integration of special effects to achieve the photography images desired by the director. (Merriam Webster)black letter Fiction a genre of literature that combines both horror and romance or a scholarly denomination which states the earthly laws of conventional reality and the possibilities of the supernatural emphasizing the difference between horror and romance as genres which reflecting on the common ground that has been christened Gothic. (Jerrold Hogle) repugnance a genre of literature that is identical with the darkness, and associated with fear, mystery, and supernatural to be able to scare its readers.REVIEW OF LITERATUREIn this chapter, the writer would like to excuse the theories in order to support her digest. The first theory is about film studies.Film studies is an interdisciplinary program that focuses on the history, theory, and criticism of cinema and other moving image media. (Yale)There is another definition of film studies by Richard from The Oxford Guide to Film Studies (p.3) who stated that film studies is based upon the science and techniques of film, its physical science and chemistry, the practices and possibilities of the camera and the other apparatuses of filmmaking.According to Boggs and Petrie The art of Watching Film (pp. 124) film studies has a cinematic aspect which will be used by the writer to help her analysis process.In Film studies there are two aspects, the literary aspect and the cinematic aspect. Because the writer would only use the cinematic aspect, so here is the explanation about the cinematic aspect of film.The Cinematic Aspects of FilmAccording to Susan Against Interpretation and Other Essays that like novel, the cinema presents us with a view of the action which is absolutely under the discipline of the director (writer) at every moment. Our attention cannot wander about the screen, as it does about the stage. When the camera moves we move, when it remains still we are still. In a similar way the novel presents a selection of the thoughts and descriptions which are applicable to the writers conception, and we must follow these serially, as the author leads us, they are not cattle farm out, as a background, for us to contemplate in the order we choose, as in painting or the theater.Dudley on his book The Major of Film Theories An Introduction (7) has noted that every question about film locomote under at least one of the following headings raw material, methods and techniques, forms and shapes, end or value. These categories, adapted from Aristotle, (Physics, section.3) divide the phenomenon of film into the aspects which make it up and which can be interrogated.The raw material includes questions about the medium, such as those which assay its relation to reality, photography, and illusion, or those which follow out its use of time and space, or even those which aim at such processes as color, sound, and the make-up of the movie theater. Anything which is seen to exist as a given state of affairs with which the cinematic process begins belongs to the category of raw material.The methods and techniques of cinema comprises all questions about the creative process which shapes or treats the raw material, from discussions of technological developments (like the zoom shot) to the psychology of the filmmaker or even the economics of film production.The forms and shapes of film is the category containing questions about the kinds of film which have been or could be made. Questions about cinemas ability to adapt other artworks lie here, as do questions about genre and listening expectation or effect. Here we are looking at films from the base of a completed process in which the raw material has already been shaped by various creative methods.The purpose and value of cinema is the category which interfaces with the larger aspects of life, for here fall all questions which seek the close of cinema in mans universe.In accordance to Boggs Petrie (112-124) identify the cinematic film likeCinematic point of viewFour points of view are employed in motion pictures, such as objective (camera as sideline observer), subjective (camera as participant in the action), indirect-subjective and directors interpretive.Elements of cinematic compositionFocusing attention on the most significant object, such as, sizing and closeness of the object, sharpness of focus, movement, extreme close-up, arrangement of people and objects, foreground framing, and lightin g and color. (BoggsPetrie, p. 122)Techniques for specialized visual effectsCamera AnglesColor, Diffusion, and Soft Focus picky LensesSlow MotionFast MotionThe freeze frame, the Thawed Frame, and Stills special(prenominal) Lighting EffectsGothic LiteratureThe second theory for the analysis is about the gothic literature. There are some aspects of Gothic literature more than terror. These are the elements of gothic based on the novel by Horace Walpole The Castle of Otranto (1764) and it contains essentially all the elements that constitute the genre and this novel by Walpole has influenced not only for the gothic novel, but also the film making up until nowMysteryA part of the storytelling that helps to create the Gothic atmosphere such as burial vaults, flickering candles, evil potion, etc. (buzzle)Environment and SettingA setting that used for the storytelling in Gothic novels to shows the horror image like the stormy weather, dark place (forest, king-size castle). (buzzle)Nightmar eThe fear experienced by the characters in the novel. (buzzle)Omens and CursesAn ancient rely to make the character becomes more miserable. (buzzle)Decline and DecayA process when the character reflected their behavior or their characters. (buzzle)Supernatural EventsTo make the story more dramatic. (buzzle)Damsel in DistressThe character is usually suffering and loneliness. (buzzle)VillainsThis character is usually cunning and shifty in their behavior. (buzzle)ProtagonistsThe gothic heroes, usually they are burdened by the sorrow. (buzzle)RomanceUsually the romance part will have the tragedy and sorrow line. (buzzle)METHOD OF DATA COLLECTION AND abstractJ.1 . Method of Data CollectionThe writer would use the Library research books and internet.J.2. Data AnalysisWatching the movie, then searching the cinematic aspects of the film, and also searching the gothic elements from the films using the cinematic aspect.J.3. Time Schedule monthWeek123412341234123412341234JulyAugustSeptemberO ctoberNovembercelestial latitudeRevision RM 1 and make a planRevision for proposalExamination of Thesis Proposal